Author Archives: Charles Ouyang
Political incorrectness is at the core of The Taming of the Shrew, and this production is a rather faithful interpretation of the work. Let the easily offended beware! Continue reading
I do not profess to be an expert in musicology, but to use a colloquialism, I know it when I hear it. I can therefore say the recent performance of Handel’s Israel in Egypt by the Nassau Sinfonia and the Princeton Glee Club was most certainly good.
PUP’s new production of “Nine” is a Bildungsroman told out of order. It follows the loss of innocence and mid-life crisis of an Italian film maker named Guido Contini. Continue reading